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"Did you run much more than the simple architecture analytics on it?" Calvin probed. It's about four times a massive as it should be, but, with some ingenuity on our engine man's part, we got it here." ".and when the Golem architecturalist on the crew identified it as a fragment, we started dragging it in. Microhopping was basically the least cautious approach that could have been set off tachyon flares visible for about a lightyear. Something in the far hemisphere interfered with the Oort cloud's return of the FTL probe, so we cautiously microhopped over to see what it was." The captain droned on about the routine details of crossing the star system.
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"We were sixteen AUs or so out, so we started the regular ten-light-minute scans, and stepped them up to full system scans. Those suns had been extinguished in the Golem's contrapuntal feedback event, and physics didn't quite work right around them.Īcknowledging the captain's obvious dismay at this detail, he urged him on. When our Drive popped us through, we found ourselves heading into orbit around one of the Darkened Suns." The captain paused, waiting for Calvin to urge him on. "Well, as per standard operating procedure," the captain grimaced, since such words were only used as a nod to the Senate, "we used the ship's reactor's radioactivity to generate a set of random jump coordinates constrained by the expected target space and known stellar obstructions. While the loadmasters were identifying and inspecting the prize, Calvin asked the lucky vessel's captain what had happened: The nature of the recovery missions meant that extensive shoreside leave on Terra was required for each crew sent out, and this did not please the bean counters.Īfter some time in this state, that lone salvage crew had crawled back into the Niffleheim system, barely towing a sizeable chunk of the Golem back. Only about a fifth of the original superstructure of the Golem had been recovered, and they only had enough resources to run one dilapidated salvage ship on shot-in-the-dark missions into the Void, where the war-ending cataclysm had occurred. The Golem's AI core was unresponsive to even the most skilled psychotronic engineers. Reconstruction of the ISL's Golem, on the other hand, was not.Ĭalvin had been working on the project for quite some time, and figured he had seen it all: The Alliance's indifference to the project had left it massively underfunded and, consequently, understaffed.
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Reconstruction after the war had been difficult, but it had been approached with a renewed rigor among the lassaiz faire policies following the outbreak of peace. (With modern Art attempting to explore the distinction, I think the tentacles and neurotoxins could be brought in for an extended, painful analogy.) It's thin, if it's not a proper probability field, and many things are in the same in-between-almost-both zone that jellyfish lie in. They are also utterly alien to me, a dry midwestern boy. They are surreal and beautiful, especially when their colors are brought out like that. I don't think I understood this until I saw this rendering, which made me realize that jellyfish really do play with that line. So what I get out of this quip is that the meanings of "weird" and "beautiful" are actually fairly close. Thus we see that the military is training jellyfish to assassinate writers in an attempt to control the global supply of. Semantics: semaphore antics, when two Army signals specialists get bored. ( Two friends of mine inspired this dig.) What does it mean?Īnd I don't mean, "How does this strange line fit into the Night Vale world?", no, I mean "What does that English construction actually say?" The more superficial question interests me here. Still, my wife found the quote on Pinterest, and it's been eating at me. Perhaps I'll do that while I'm travelling to Washington. I haven't listed to the Night Vale podcast. The podcast episode this somehow refers to is here, its Wikia page is here, and the project's home page is here. There is a thin semantic line separating weird and beautiful.