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Green qualifies and extends his ideas through a number of adolescent characters with quite different experiences of cancer. With a capital L and Authors with a capital A, but also through intense engagements with video games and websites. Hazel’s robust responsiveness derives from acts of attention - undertaken by reading Literature Green, the insecurity of cancer transforms but does not inhibit personal growth in awareness. “Theįault in Our Stars” suggests that the scrutiny we give the world as well as representations of it yield special rewards to teenagers with cancer.Īccording to Mr.
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At this task, Hazel is a pro - she admires, ridicules, reflects, mourns - and this is partly so because of her avid reading of writers who take notice of the universe. “I believe the universe wants to be noticed,” Green makes, in this case about a potential balm for young cancer patients. Upon her return to Indianapolis, Hazel’s father broaches a third point Mr. She thinks of him “not being a father anymore, left with a diary instead of a wife and two daughters.” She encounters the testimony of Otto Frank, the father of Anne Frank. Will her mom stop being a mom after Hazel’s death? When a foundation sponsors Hazel’s trans-Atlantic trip to meet the author of her favorite novel, Her own mother after all the devoted caretaking ends. Hazel’s desperate desire to know what happens to the heroine’s mother in “An Imperial Affliction” after the book’s abrupt conclusion reflects her anxiety about what will happen to “There is only one thing in this world (worse) than biting it from cancer when you’re 16,” she explains, “and that’s having a kid who bites it from cancer.” Hazel’s fear of wounding the people who love her emerges in her sentence “I am a grenade.” Dread of shattering those close to her impedes her evolving relationship with her boyfriend, but it also Intimate with the look of death, she pledges her love to her boyfriend with the word “O.K.,” not the word “always.” Contra Shakespeare, in other words, the fault resides in the stars, “Cancer kids are essentially side effects of the relentless mutation that made the diversity of life on earth possible,” Hazel believes. She cherishes the cancer novel “An Imperial Affliction” because its dying heroine refers to herself as “the side effect.” In the process, she has had to cope with a dysfunctional body, with terrifyingīreakdowns in the I.C.U., with lugging around an oxygen tank and sleeping with a machine that forces air “in and out of my crap lungs.” Precocious, she fully comprehends the double-binds of chemicalĮarly on, physical evidence of cancer separated Hazel from other people. Pulled out of school, she has spent inordinate amounts of time learning at home. Like many sick children, Hazel displays unusual maturity. Green’s analysis of the experiences of teenagers with disease. You may be or become as enthralledĪs I am by the sometimes funny, sometimes sad plot twists of this narrative, but what stays with me is Mr. Through Hazel’s wry perspective, the author circumvents what his heroine calls “the (expletive) conventions of the cancer kid genre.” No need for a spoiler alert here. Requiring the partial amputation of one of his legs. The midst of scares and incapacity, Hazel manages to relish jokes, books, her parents and eventually her love affair with 17-year-old Augustus Waters, who “had a touch of osteosarcoma a year and a half ago,” Despite a terminal prognosis, she tries to focus on living with disease instead of dying from it. Hazel undergoes drug therapy to extend her life, not to cure the thyroid cancer that has metastasized in her lungs. Green’s best-selling book and now movie, “The Fault in Our Stars.” With an allergy to cheesy sentiments resembling Holden Caulfield’s, Hazel is the derisive yet tender narrator of Mr. Mine is the novel John Green wrote about her.
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“Cancer books suck,” says 16-year-old Hazel Grace Lancaster. Susan Gubar writes about life with ovarian cancer.